Welcome to Day 6 in my self-project-ish, month-long postings of images I’m only using Lightroom to edit. If you’re just coming in to reading this and haven’t read the original post where I wrote why I’m doing this, then make sure you check that out too. Okay, here goes:
The Photo: A Black and White Conversion
Today’s photo is our first black & white of the series. If you look at my portfolio, you’ll notice I’m not a huge B&W fan. Given the color version of a photo or the black and white, I’ll choose the color version nearly every time. And when I do B&W conversions, I usually use onOne’s Perfect B&W Plug-in. Anyway, I thought this made a good example for a black and white so let’s give it a try. It was taken on a cloudy overcast day under the Manhattan Beach Pier in southern California.
Camera: Nikon D800
Lens: Nikon 16-35mm
Shutter Speed: 10 seconds
Filter: Lee Big Stopper 10-stop ND
The Black & White Conversion
The first thing I did was press the letter V to convert the photo to b&w. This is the same as going to the B&W panel and turning on the black and white conversion. But on a photo like this, with little color to start with, I’m not going to spend much time in the B&W panel itself. Most of the time is spent in the Basic panel on getting a nice contrasty black and white because it’s kinda dull now.
Overall I wanted to make the photo darker with the Exposure slider. I also moved the Highlights and Shadows sliders in opposite directions. Almost HDR-like to tone down highlights and open up shadows. From there, I adjusted the Whites and Blacks with the Option/Alt key and boosted the Clarity slider quite a bit. I’ve mentioned it in another post, but when you push the Highlights, Shadows and Clarity sliders you run the risk of halos around some of the edges. If I had Photoshop to use here, I’d probably bring the photo in there and do the adjustments with more accurate selections. But you’ve really got to look close to see them so it’s not a huge deal.
Lens Corrections and A Strong Vignette
I turned on the Enable Profile Corrections checkbox and then added a strong vignette (in the Effects panel) to really tone down the edges of the photo. I want the center of the pier to stand out so I really boosted, not only the Amount, but the Midpoint and Feather settings too.
Adding Some Drama With The Radial Filter
Black and whites like this really benefit from a lot of drama. One way to add it is using the Radial Filter. But I used it in a different way. I want to keep the edges dark, but I want the middle of the photo to be brighter because that’s really the part that catches your eye. So I increased the Exposure and turned on the Invert Mask checkbox at the bottom of the Radial Filter panel. Then I dragged a circle over the pier which makes it even brighter.
I finished things up with the Adjustment Brush. I thought the top of the pier was too dark so I brushed in some brighter Exposure at the very top. I had to use a really soft feathered brush for this though, so it blended in with the rest of the pier.
I also added a new Adjustment Brush layer and painted some more Clarity in to the clouds in the sky. Again, you’ll probably notice some halos start to appear and if we were using Photoshop here, we could probably use selections to make the adjustments more refined.
I thought the bottom of the photo looked too dark too. Rather than paint the adjustment in with the Adjustment Brush, I grabbed the Graduated Filter and just dragged from the bottom upward, to gradually brighten the whole bottom part of the photo.
Next I went to the Spot Removal tool, and turned on the Visualize Spots feature in the toolbar below the photo. That helps you see (and remove) any spots that may be in the sky.
The photo is pretty sharp without any sharpening added. I think the Clarity adjustments, though not exactly like sharpening, do a good job to add detail. But I’ll finish up in the Detail panel with a little sharpening as a final touch.
So what’s missing? Not much actually. Other than some of the halos around the pier from really pushing those adjustments, we acomplished a lot here. Lightroom may not create the prettiest B&W right off the bat, but with some creative toning you can do a lot with it. And that’s really the key with black and whites in LR. You can’t just take the defaults like you can in a lot of the popular plug-ins like Perfect B&W or Silver Efex Pro.
What About Plug-ins?
Personally, I love the plug-ins for black and white. I know we did a lot here with just Lightroom. But plug-ins tend to have a ton more features like grain, color tinting/toning, film effects, filters, and presets that do most of the work for you very quickly. That’s really where they shine. For a basic conversion like we have here, Lightroom works great. But if you’re really in to black and white photography, I think plug-ins are definitely worth investing in.
This one isn’t really fair because the before/after are going to be so different, but here’s the two photos so you can see the change.
Thanks for stopping by. Have a great day!